Cifra Club

Shock Me

KISS

Tab de baixo: Principal
Selo Cifra Club: esta cifra foi revisada para atender aos critérios oficiais da nossa Equipe de Qualidade.
tom: Afinação:
Tuned down 1/2-step

Comments: For the positions in this tab I've used what Gene usually plays
live (position-wise that is), including on The Last KISS special. However,
I think Ace played this line. It has the kind of understated quality that
is very much him when it comes to bass. Either way, there are a few 
variations but nothing hard or surprising. Still a really cool riff.


Key:
/    = slide up
\    = slide down
b    = bend (whole step)
b^   = bend (1/2 step)
b^^  = bend (1 1/2 steps)
pb   = pre-bend
r    = release-bend
t    = tap with righthand finger
h    = hammer-on
p    = pull-off
~    = Vibrato
*    = Natural Harmonic
#(#) = Trill
**   = Artificial Harmonic
x    = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
(\)  = Dive w\bar
(/)  = Release w\bar
Tp   = Tap w\plectrum


Rhythm Fig. 1
                                                     
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5---------------5----------5-------------------|
Eb|-----5----5----5-----5----5-----5--2b---2b-------|


End 1
                                                
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|----5--5--5--5h7-5-----------------0-------------|
Eb|----------------------2b---0--2b-----------------|


End 2
                                                 
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|----5--5--5--5h7-5-----------------0------0------|
Eb|----------------------2b---0--2b-----------------|



End 3
                                                  
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|----5--5--5--5h7-5-----------------0------0-0----|
Eb|----------------------2b---0--2b-----------------|



Rhythm Fig. 2a
                                       
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--0----------------------------------------------|
Eb|-------------------------------------------------|


                                                 
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|----5--5--5--5h7-5-----------------0----------0--|
Eb|----------------------2b---0--2b-----------------|



Rhythm Fig. 2b
                                       
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--0----------------------------------------------|
Eb|-------------------------------------------------|


                                                 
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|----5--5--5--5h7-5-----------------0-------------|
Eb|----------------------2b---0--2b-----------------|




Rhythm Fig. 2c
                                       
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--7----------------------------------------------|
Eb|-------------------------------------------------|


                                                 
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|----5--5--5--5h7-5-----------------0-------------|
Eb|----------------------2b---0--2b-----------------|



Rhythm Fig. 3
                                                     
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|-------------------------7--9--9--7--9--7--9--5--|
Eb|--5--7--7--5--7--5--7----------------------------|


                                            
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5----------------3--------2--------------------|
Eb|-------------------------------0--2--3-----------|



Rhythm Fig. 4
                                                
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|-------------------------------------------------|
Eb|--5----5----5----5--0--5----5----5----5--0-------|


End 1
                                              
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5--------5--5------5--------3------------------|
Eb|---------------------------------0--2--3---------|


End 2
                                                  
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5--------5--5----5--7--7--7--7--7--7--7--7--7--|
Eb|-------------------------------------------------|


End 3
                                            
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5--------5--5------5--------3--3---------------|
Eb|-------------------------------------------------|


End 4
                                                  
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5--------5--5----5--7--7--7--7--7--7-------7\--|
Eb|------------------------------------------0------|



Rhythm Fig. 5
                                                  
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|-------------------------------------------------|
Eb|--5--7--7--5--7--5------5--7--7--5--7--5---------|
    < - - - - - - - - - 4x - - - - - - - - >

                                            
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5------------------3--------2------------------|
Eb|---------------------------------0--2--3---------|



Rhythm Fig. 6
                                                
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|-------------------------------------------------|
Eb|--5----5----5----5--0--5----5----5----5--0-------|
    < - - - - - - - - - - 4x - - - - - - - - >

                                                
Gb|-------------------------------------------------|
Db|-------------------------------------------------|
Ab|--5--------5--5------5--------3--3---------------|
Eb|-------------------------------------------------|




SHOCK ME
Ace Frehley

[Rhy. Fig 1 w/ End 1] 
[Rhy. Fig 1 w/ End 2]

[Rhy. Fig 2a]
Your lightnin's all I need
My satisfaction grows
[Rhy. Fig 2b]
You make me feel at ease
You even make me glow

[Rhy. Fig 3]
Don't cut the power on me
I'm feelin' low, so get me high

[Rhy. Fig 4 w/ End 1] (2x)
Shock me, make me feel better
Shock me, put on your black leather
[Rhy. Fig 4 w/ End 2]
Shock me, we can come together

[Rhy. Fig 1 w/ End 3]

[Rhy. Fig 2a]
And baby, if you do what you've been told
[Rhy. Fig 2c]
My insulation's gone, girl you make me overload

[Rhy. Fig 3]
Don't pull the plug on me, no, no
Keep it in and keep me high

[Rhy. Fig 4a w/ End 3] (2x)
Shock me, make me feel better
Shock me, put on your black leather
[Rhy. Fig 4 w/ End 4]
Shock me, we can come together
Come on

[Rhy. Fig 1 w/ End 1 (4x)] 
[Rhy. Fig 5]

[Rhy. Fig 6]
Shock me, baby, shock me, oh yeah
Shock me, baby, shock me, oh yeah

[Rhy. Fig 4 w/ End 3]
Shock me, make me feel better, oh yeah
[Rhy. Fig 4 w/ End 1] (repeat and fade)
Come on and shock me, put on your black leather
Baby, I'm down to the bare wire
Shock me, we can come together
Oh yeah, I wanna feel your power
Shock me, make me feel better
Baby, I'm down to the bare wire
Shock me, put on your black leather
Baby, come on, come on, shock me




_______________________________________________________
Contribuição: Flavio Francisco de Moura(flaviomoura@uol.com.br)
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